For the last few months, I’ve been mentoring a critique group that meets every Monday night at a local wine bar. The perfect location for the perfect Cabernet or Malbec and pleasant discussions about writing. Most of the members of the critique group are holdovers from my last creative writing class. Once the class was over,
You’ve either read the American author William Goldman, or you’ve watched a film adaptation of one of his novels. I’d put money on it. He wrote a slew of cult classics that covered wide swaths of literary territory – from the tongue-in-cheek fairy tale adventure of The Princess Bride to the Nazi-driven conspiracy thriller Marathon
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